Sans titre
oscarprgirl:

socks. 
vogue:

DETAIL: Oscar de la Renta Spring 2012

oscarprgirl:

socks. 

vogue:

DETAIL: Oscar de la Renta Spring 2012

uniformitarianism:

Eternal Flame Falls, Boston, New York

 
-This is a waterfall in Chestnut Ridge County Park near North Boston, New York. What makes the waterfall unique is the methane gas that comes out behind the Falls, and is often burning.

uniformitarianism:

Eternal Flame Falls, Boston, New York


 

-This is a waterfall in Chestnut Ridge County Park near North Boston, New York. What makes the waterfall unique is the methane gas that comes out behind the Falls, and is often burning.

hellyeahsf:

dunksrnice:

Day & Night, San Francisco.www.dunksrnice.net || www.facebook.com/rtanedojr 

amazing.

hellyeahsf:

dunksrnice:

Day & Night, San Francisco.

www.dunksrnice.net || www.facebook.com/rtanedojr 

amazing.

Disney’s Original Princess

fuckyeahtangled:

Happy 100th birthday to pioneer concept artist and influential color theorist Mary Blair.

evan:

Tumblr surpassed 10 billion posts only a month ago, and today we have over 11.4 billion.  At peak times, over 900 posts are published on our platform every second.Ever wonder how we manage all that data? Although we’re increasingly making use of newer, non-relational data stores like HBase and Redis, the bulk of our data is currently stored in a heavily partitioned MySQL architecture. On November 8, I’ll be giving a talk at Velocity Europe in Berlin about how we’ve scaled our MySQL databases at Tumblr, with a particular focus on how, when, and why we sharded our dataset. The talk will also cover the tools we built to manage and move billions of rows of MySQL data for millions of blogs, and how to avoid some nasty pitfalls along the way.Register for Velocity with our discount code veu11sc20 and save 20%. Hope to see you there!

evan:

Tumblr surpassed 10 billion posts only a month ago, and today we have over 11.4 billion.  At peak times, over 900 posts are published on our platform every second.

Ever wonder how we manage all that data?

Although we’re increasingly making use of newer, non-relational data stores like HBase and Redis, the bulk of our data is currently stored in a heavily partitioned MySQL architecture.

On November 8, I’ll be giving a talk at Velocity Europe in Berlin about how we’ve scaled our MySQL databases at Tumblr, with a particular focus on how, when, and why we sharded our dataset. The talk will also cover the tools we built to manage and move billions of rows of MySQL data for millions of blogs, and how to avoid some nasty pitfalls along the way.

Register for Velocity with our discount code veu11sc20 and save 20%. Hope to see you there!

afrographique:

An infographic depicting mobile devices by brand and percentage used on the African continent. Data by Admob, 2010.

afrographique:

An infographic depicting mobile devices by brand and percentage used on the African continent. Data by Admob, 2010.

Odd Future, energy, inclusion, and exclusion

agrammar:

A little over a week ago, for work, I wrote a quick SXSW recap post involving Odd Future — which wound up being trimmed down to a post about Odd Future, and then, after more editors went over it, an article about Odd Future, and then eventually I started to feel like whatever vague point I’d had might have wound up dulled and unclear. So here’s a clearer thought, which is not about Odd Future’s music or Odd Future as people or the value of their work, but more about my relationship with the process of maybe-liking Odd Future.

Because there are a lot of things I love about Odd Future. Some of the albums coming out of the collective actually remind me of listening back to hip-hop from the late 80s and early 90s, when you can actually hear the joy of people creating music because it doesn’t exist yet, and they need it to; Earl’s record in particular has that feeling, a certain playfulness and vitality. And I’m compelled by Tyler’s charisma. I was a sulky teenage boy in the 1990s; of course I can connect with all his grim dark grumbling. As can teenagers today. When I saw the group in Austin, the energy surrounding them was fierce and sort of beautiful. A crowd of kids stood around chanting “FUCK STEVE HARVEY” in an effort to lure the group onto the stage. These were not kids whose lives I imagine being much impinged upon by the existence of Steve Harvey. Was there some point I missed where white Texan parents started boring their kids with his radio show on long drives? On one message board I read, there was a poster who thought “Steve Harvey” might be made up, just an imaginary object of Odd Future’s scorn. This has to say something about the lure of this group, that people want to join them in telling Steve Harvey to fuck off—just because the energy is right, not because they actually care so much who Steve Harvey is.

But then the next night, Odd Future cut short a set at a Billboard showcase—they stormed off after three songs—and I was surprised to see some fans on Twitter grumbling about it, feeling aggrieved or let down. These were people who liked the group’s energy. They just turned out not to like it so much when it was pointed at them and inconveniencing them—when it came off like a fuck-you to them instead of someone else. That’s not surprising: Most everyone wants to be inside the circle of this kind of massive energy, not excluded by it. What’s surprising is that some of these people were less than receptive, months and months ago, when a whole lot of other women and men gave a listen to music from Tyler and Earl and felt excluded by the end of the first verse—because all the ghoulish taunting about raping, kidnapping, or assaulting women wound up disinviting them from the get-go. In fall, Jon Caramanica asked Syd—the woman whose production and DJing underpin a lot of the group’s music—about that. Her answer: “Actions speak louder than words, and they treat me as an equal.” This isn’t exactly a full endorsement of those lyrics; it’s more like a way of saying she feels fully invited within the circle of energy. She’s included.

It’s those taunts in particular that ensure lots of people will never be able to feel entirely included here. There’s been plenty of discussion of the moral dimensions of that fact. Here’s another dimension to consider, though: Doesn’t that just kind of suck, that this group would turn out a lot of fantastic music that unnecessarily dis-includes a big chunk of listeners?

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